• The Warriors never set foot in the Bronx.

    This might come as a surprise, seeing as how the movie revolves around a New York City gang trying to make their way from the Bronx’s Van Cortlandt Park to Brooklyn’s Coney Island, but filming only took place in Manhattan, Brooklyn, and Queens. However, authenticity aside, The Warriors captured nighttime New York in a way that very few movies had previously, using some insanely brilliant and memorable locations.

    Let’s see how many we can find.

    As the credits roll, we’re treated to the POV from a rushing subway train zipping through various New York City subway stations.

    This was shot along the A-C line in Brooklyn. You can make out the Nostrand Ave (above) and Franklin Ave stations among others (these shots are actually repeated several times during the credits).

    The Warriors are headed up to Van Cortlandt Park in the Bronx for a meeting of all of New York City’s gangs. Based in Coney Island, the gang naturally boards the D-train at the Coney Island – Stillwell Avenue station, which underwent a major renovation in 2004/05.

    As the credits continue, we’re treated to several shots of (sadly) unidentifiable subway stations with increasingly defunct elements. For example, the old entry gates…

    …and wooden turnstyles (there’s something so cute about the fact that this gang politely buys tokens for each member):

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    As the movie begins, the Warriors have arrived at the Conclave, scripted as the Bronx’s Van Cortland Park, but actually shot in Riverside Park in Manhattan, just north of 96th Street:

    If you visit in person, you might be surprised to find that the park doesn’t seem as big as it does in the movie:

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    However, this was the perfect location to set the Conclave, as the park’s many tiers (some built for the film) filled with people create the illusion of a much larger space:

    A wall was built around the northern side of the park…

    …which is good, because otherwise you’d see the very cute Dinosaur Playground just behind all the tough gang members!

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    As Cyrus tries to convince the gangs to unite, we’re treated to a few shots of the gathered ruffians, including the very evil Luther, seated on the ground:

    Here’s another bunch perched in front of the park’s distinctive arches:

    But trouble is brewing as the police quietly approach.

    These gates can be found at the top of the arched structure (for you drivers, that’s the 96th Street on-ramp to the West Side Highway just beyond):

    More police officers arrive…

    …pulling up at the park’s main gates:

    Luther shoots Cyrus, then blames The Warriors. Chaos breaks out, and soon, everyone is running (by the way, is that a camera guy on the right side of the frame??):

    Falsely accused, the Warriors flee for their lives.

    More fleeing gang members:

    The Warriors exit the Conclave via the false wall at the northern end of the park (just to their left is Dinosaur Playground):

    The Warriors seek refuge in a nearby cemetery, which would be Woodlawn if they were actually in the Bronx:

    However, this was actually shot in Evergreen Cemetery, in the Cypress Hills section of Brooklyn:

    It’s very easy to find the Warriors’ shooting location: as you enter the Conway Street entrance, just follow the road to the right, and you’ll quickly see some of the distinctive graves above just off the road.

    I’m actually amazed at how many actual graves were allowed to be featured in the film. Nowadays, you often have to provide your own graves if they’re going to get such significant screen time.

    Ditto the fact that they let an actor climb on an actual grave…

    But man, what a fantastic use of existing statuary:

    Here’s the full grave, belonging to the Yunker family:

    Seeing the subway station in the distance, the Warriors head out:

    We’re given a few shots of New York’s eerily empty streets. I wasn’t able to identify this first one, which is killing me because the buildings are so distinctive. Anyone know?

    The next one is the passageway beneath Riverside Drive at West 96th Street, just south of The Conclave park:

    And finally, a street with distinctive elevated tracks. This was shot under the J train at the corner of Broadway and Truxton Street, just outside Evergreen Cemetery, which we’ll return to in a minute.

    The Warriors bolt from the cemetery, passing through a tunnel. Check out that “Al” graffiti… It’s still there!

    The Warriors turn right and run up a hill on the other side:

    This awesome tunnel can be found at the corner of Cooke Court and Stewart Street in Brooklyn, another example of a totally unique yet very iconic New York location:

    The Warriors descend onto Broadway and scope out the el train staircase across the street, their one hope for returning to Coney Island:

    It took me a LOT of trips up and down Broadway before I realized the reason I couldn’t find this staircase: it doesn’t exist anymore:

    This entrance to the Eastern Parkway stop (now Broadway Junction) was located at the corner of Conway Street and Broadway. You can just see the Carbone Memorials building behind it, a gravestone manufacturer:

    As the Warriors run for the stop, a rival gang begins racing them down:

    The Warriors hurry down Broadway toward the subway entrance:

    There used to be a ton of exposed cobblestones at this end of Broadway, which have since been paved over:

    The Warriors book it into the old Eastern Parkway station…

    …which today is boarded up, as it’s no longer in use:

    So take a look – this doesn’t exist anymore:

    More to come!

    51 comments on The New York City Filming Locations of The Warriors – Part 1
  • As a location scout, prob 50% of the places I scout are houses, and it’s always interesting when you see The Hip New Thing suddenly start to show up everywhere. Like the stove with the red knobs —

    You know this sort of thing when you see it, because your reaction is always the same: “Hey, there’s some minor thing I never thought twice about, being done in a dramatically new and eye-catching way!” Another is the grass-grid driveway —

    For most of contemporary history, we were all perfectly happy with black/stainless steel stove knobs and slabs of concrete for driveways… And then these hit, and it’s like everyone collectively goes: “Yeah, why didn’t we ever think of this before??”

    It’s fascinating to me from a sociological perspective, because I have the exact same reaction as everyone else when I first see it. Except, because I scout so many homes, the novelty of these overnight trends very quickly becomes stock and mundane for me, and I’ll find myself unconsciously starting a countdown in my head: how long until everyone considers this outdated? Because just as suddenly as these trends go viral, they end without warning. The classic example is the gray tile backsplash —

    This one spread like wildfire. It was like overnight, every single kitchen I’d scout had this exact backsplash. But it also became passé quicker than most, I think because of its ubiquity. Because it was so common, directors/production designers would explicitly avoid it.

    The one that kills me is the recent popularity of the gray laminate floor. Again, I’m speaking from a filmmaking perspective, NOT interior design; but on screen, the gray just so easily falls into the vibe of corporate office building, which is too bad, because literally any other vaguely natural shade of wood would likely stand the test of time for far longer.

    Finally, at the opposite end of the trend timeline is the garden window, which I believe peaked as The New Hip Thing sometime in the 1980s:

    Whenever I see them on homes around LA, rarely with the intended flowers inside, it always occurs to me that they once caused the same reaction as the red-knob stove: “Why haven’t we ever thought of doing this before?? Windows don’t need to be flat!”

    And then, one day for no particular reason, we all collectively decide that in fact we prefer our windows flat, our stove knobs black or steel, and our driveways a single slab. And the thought of these ever being trendy seems like a strange dream…

    Just to make it clear one last time, I’m speaking from the perspective of a location scout, NOT an interior designer! If you have any of these things in your home, I’m not criticizing your choices or saying you have bad taste!

    And I’ll fully admit it: I think the red knobs are cool too.

  • Well this was unexpected. I pulled over at this random spot in the desert to take pictures, and I see a blue glint in a bush —

    I look closer and it’s a bike —

    With this message scribbled on it: “June 18, 2026: I will return for this bike, leave it here!”

    Now I’m preoccupied by two things: whether the mystery bike owner is ever going to return; and that their request has apparently been respected all these months. I too shall abide!

  • Last week, I was scouting outside Barstow along a lonely stretch of the old Route 66 when I came across what seems like nothing more than an overgrown field – but look closer and you’ll find surprising traces of what it used to be…

    Standing in the middle of the 7-acre lot, you might just notice that the foliage seems to be growing oddly in parallel arcs…

    The satellite view makes this more apparent, a series of concentric arcs all focused on one point… But for what purpose??

    A drive-in movie screen! This was once the Bar-Len Drive-in, opened in December 1948 and so-named because it straddled the line between the desert communities of Barstow and Lenwood.

    Able to accommodate 500 cars, the drive-in operated throughout much of Route 66’s cultural peak, finally closing in 1968. The screen was still standing in 1980, though in significant disrepair.

    Though it’s too contemporary to be considered of much historical interest now, I always wonder if, in a few centuries, historians will point to those arcs of scrub as rare evidence of how the people of yore once sat in their cars to watch that old-fashioned contrivance: a movie.

  • When I’m scouting for period motels for filming and I want to go beyond the usual suspects, one trick I use is to search eBay for “motel post card [city/town name].”

    Back in the 1950s-70s especially, it seems like every motel made a postcard for guests…

    And it’s a great way to find properties that may not even be motels anymore, but still have the bones to be dressed as such.

    They also provide an excellent guide on what cosmetic changes are needed to restore them to an authentic vintage look, usually just painting and some signage.

    Sometimes, you can’t believe you’re at the same place.

    Other times, it’s pretty amazing how little has changed.

    I always get excited when the postcards show interior spaces like restaurants and bars at their prime, a production designer’s dream. Sadly, these almost always have been gutted and modernized beyond recognition.

    So funny that these little postcards have wound up playing an immensely valuable historical record of properties that might not otherwise have been documented.

  • Something I wish I’d done back when I lived in NYC: my apartment was at 9th and Wythe in Brooklyn, and for whatever reason, that corner was prone to late night fights.

    And it was really annoying, because it was almost always two drunk guys yelling ridiculous threats while doing everything possible to avoid throwing the first punch.

    So this would go on for 20 minutes, and then someone in the building would get fed up and call the cops, and they’d always show up just after everyone had gotten bored and gone home.

    Anyway, one night I’m trying to get some work done, and all I can hear is this endless back-and-forth yelling from a fight outside. I look out the window, and it’s two guys in their early 20s ganging up on a smaller guy. So now I feel bad for smaller guy, and I’m going to call 911.

    Then, smaller guy pops the trunk of his car and pulls out a skateboard and starts swing wildly. His two opponents are initially startled, then they start throwing wild punches at the skateboard, and everything is getting stupider.

    Then, like something out of West Side Story, a bunch of smaller guy’s friends run around the corner, and now the two guys are outnumbered. Only, everyone is still scared to actually connect with a first hit, so people are throwing punches at empty air, and the one dude is still swinging his skateboard.

    And everyone is yelling excruciatingly cringe threats louder than ever, and it’s all never been more annoying. But I know if I call the cops, they’ll never show up in time.

    Then I get an idea. I get out my big guitar amp and lug it close to the window.

    Then I dig out an aux cable and connect it to my phone. And then, I start madly searching on Spotify for the song “Everybody Was Kung Fu Fighting.”

    Because my theory is, no matter how angry you are, there is absolutely no way anyone can fight and keep up the tough guy bravado while the disco beats of “Everybody was kung fighting!!” are blaring over the neighborhood at a ludicrous volume. Like, legitimately impossible.

    Sadly, I wasn’t quick enough. Just as I was about to hit play, the police showed up (someone in the building must have called), and everyone scattered.

    For months after, I kept my amp by the window in case of another fight, but none occurred, and then I moved out of the city.

    But to this day, it remains one of my deepest regrets that I wasn’t able to witness a bunch of drunk idiots attempt to duke it out on a Brooklyn street corner to the funky beats of “Kung Fu Fighting.” (Though my wife is convinced I’d have just focused the mob’s fury on me).

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  • I love coming across forgotten neon signs for long-gone businesses, and old Chinese restaurants are among my favorite —

    This chow mein sign used to hang above a photocopy place (also out of business!) at 823 Nostrand in Brooklyn (now a florist, sign sadly removed).

    Also, fascinated by whoever thought to put such an artsy street number sign on the building (still there!):

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  • Let’s do a magic trick. Think of a card, any card. Got it? Good.

    Now take a trip to Forest Lawn Cemetery in the Hollywood Hills…

    Head into the cemetery, then turn right past the 1:1 scale replica of Boston’s Old North Church (yes, this really exists)…

    Turn left and park, then walk north toward the graves, going up to the second tier…

    Take a left on the pathway…

    …and stop at the last quadrant at the end. Look down at your feet…

    I’ll let the grave ask the question:

    OK, so while the 1.9% of you who picked the 3 of Clubs are likely absolutely stunned right now, I’m sure everyone else is incredibly confused. Why is there a grave in Forest Lawn Cemetery of the very much alive Penn and Teller, and why does it have a 3 of Clubs on it?

    This grave is actually the big reveal of a magic trick Penn and Teller created for anyone that anyone can perform for friends while hitting the tourist stops in LA. You will need: a deck of cards, a pen, an envelope, and a victim – ideally, someone visiting Los Angeles who wants to go sightseeing.

    Before starting, remove the 3 of Clubs from the deck and put it under the envelope. Set them aside. Next: go to your victim and ask them to shuffle the deck, then cut to any card in the middle.

    Hand your victim the pen and ask them to check what time it is – the person will likely have to look at their watch or pull out their phone. While they’re busy, bring out the envelope, with the 3 of Clubs held underneath, and drop it on top of the cut deck. The 3 of Clubs is now at the top of the pile.

    Ask your victim to write the time and date on the envelope, and then to put the topmost card in the envelope.

    Have them seal the envelope and put it in their pocket with a promise that you will “finish the trick later.” Then? Go sightseeing!

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    At some point in your travels, swing by Forest Lawn Cemetery in the Hollywood Hills, saying that you want to see some celebrity graves, like Laurel and Hardy, Debbie Reynolds and Carrie Fisher, and Penn and Teller. “But they’re not dead,” your friend will likely say. “Are you sure?” you ask. “I heard they were both killed in a balloon animal demonstration gone horribly wrong.”

    Follow the directions above (GPS coordinates: 34.14427, -118.31628) and simply point at the marker. As Penn and Teller recommend, be sure to have your camera ready as dawning realization hits your victim, they pull out the envelope from hours (or days) before, and marvel at your masterful insanity.

    According to Penn, Forest Lawn was dead set on not allowing them to install something so whimsical in a “place with dignity,” but they persisted with the help of a tough lawyer, and the cemetery had no choice but to comply.

    2 comments on This Gravestone Knows What Card You’ve Chosen
  • I’ve been a location scout for 20+ years and it’s funny, whenever I’m at a new place, my mind will notice some little detail and instantly make this sort of Sherlock Holmes-like prediction. Like I just passed this house —

    And right away, my mind goes: “Ah, horse people.” Because the thing that stands out to me immediately are those two brick blocks out front, which are most likely – but not necessarily! – a mounting block, for getting up and down from a horse.

    From there, a few things occur to me. If they are horse owners, does the horse live in a backyard stable? If so, we’d likely have to relocate the horse if we end up filming due to the commotion (also, horse owners tend to be intensely protective of their animals).

    But then, why is the block out front, and not in the backyard? In which case, maybe it means they board their horse locally, and occasionally ride to their house. Except: there’s no hitching post. A third option is that it’s just decorative. A fourth is that I’m wrong and it’s the remains of, say, a mail box.

    In the end, whatever my initial snap assessment, I usually still knock. But having an idea of the potential concerns that might exist always helps to get a jump on addressing them with the homeowner if I turn out to be right.

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