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  • SCOUTING
    FIELD NOTES

    Why You Should Never Go To Hudson University

    08/17/2026

    As the summer comes to a close and students everywhere head back to school, I sometimes think about New York City’s Hudson University – and wonder if the incoming class has any idea they’re about to set foot on the most dangerous campus in America.

    In 2009, Iraq War vet Greg Tanner, pictured below on the quad, was found dead in a Hudson University parking garage. Chief suspect? Hudson Law School professor Kevin Franklin.

    In 2002, a Hudson University president and his assistant were both found murdered in their office on campus, possibly over their decision to appoint a new department head.

    In 1994, Professor Edward Manning, a Hudson physicist seen below in the campus’s nuclear reactor (!!), was the prime suspect in the mailbombing death of his former girlfriend, until it was discovered to have been the work of former Hudson post-doc student Max Weiss.

    Simply having any affiliation with Hudson University seems to tie you to trouble. In 2009, police discovered the child of Hudson U. biology professors Harold and Joyce Foley murdered in their Manhattan townhouse (seen below), a crime possibly motivated by their research into a controversial new drug.

    In 2014, a series of murders targeting wealthy couples was believed to have been committed by Hudson’s campus bookstore manager Harvey Reynolds until university dean Adrien Proctor (below) was unmasked as the killer.

    In 2008, former Hudson professor Dr. Hoffman was questioned as a potential link in a near-fatal mailbombing.

    In 2001, after a medical research tech was murdered by a monkey released in his lab, a Hudson University animal rights activist was considered a potential suspect.

    In 1997, two Hudson students were accused of killing their newborn son and hiding the body.

    And in 2007, following the death of prominent astrophysicist Marie Subbarao by explosive decompression, detectives investigated Hudson’s altitude chamber, which might have been used in the murder.

    These incidents represent just a small sample of the literally hundreds of horrific, and at times, absolutely ridiculous crimes that have taken place at Hudson University over the years. How is it that they’ve been able to maintain their reputation as one of New York City’s preeminent institutions??

    Thankfully, because Hudson University doesn’t actually exist.

    When you’re scouting for a college to serve as the scene of a crime, university and college campuses are often surprisingly flexible, so long as you portray it as a fictional entity. The Law & Order staff realized this pretty quickly into the series and decided to use Hudson University as their go-to for murders and other sordid crimes.

    In fact, the the Hudson monicker had been in use prior to Law & Order, most notably in the DC Universe as Dick Grayson’s (aka Robin) alma mater, and as Cliff Huxtable’s medical school. But it was L&W that made Hudson as famous as Morley Cigarettes and Oceanic Airlines in the world of fictional brands, and it soon began to appear in other crime dramas like Castle, Unforgettable, and Blue Bloods.

    As a location scout, my favorite thing about Hudson is that just about every college in NYC has stood in for it at some point, with Lehman College, Union Theological, and Brooklyn College probably the most frequent. But even the more reluctant NYU and Columbia have been used at times.

    There’s just something nice about seeing all of New York’s collegiate institutions come together to create one of the most dangerous fictional locations in TV history.

    -SCOUT

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  • SCOUTING
    FIELD NOTES

    The Kissing Chair

    08/14/2026

    In Burbank, I often drive by this park where, last year, Ron Howard and wife Cheryl made a very sweet donation on their 50th anniversary: this “kissing chair,” two beautifully engraved bronze chairs reversed so a couple can sit and face each other. There’s only one problem –

    Someone made the really, really poor decision to situate the chair in nonstop direct sunlight, and the bronze doesn’t just get hot. It becomes literally SCALDING. Like today, a breezy 80°, you can’t put your hand on it for more than a second before >actually< burning yourself.

    Of course, in true SoCal fashion, rather then relocate the chair and actually fix the problem, a warning sign was installed instead. It’s now a pretty common occurrence to see visitors ignore the sign and plunk into the chair, only to scream and leap off in pain.

    It’s really a shame, because not only is the chair gorgeous, it’s also very comfortable!

    Ron and Cheryl used to go on dates to the park in their high school years, and wanted the chair to be used by future couples. Hopefully, Burbank can make it a little less painful for them??

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  • SCOUTING
    FIELD NOTES

    Lecture Hall

    08/13/2026

    Some locations set such a high bar for filming, you might as well give up on on hoping to scout anything else as good. Case in point: this lecture hall at Columbia University, which has been in so many movies and TV shows, you’d assume all college lecture halls are like this.

    Everything about it is exquisitely archetypal, from the dark wood, to the sliding chalkboard panels, to the little swinging door dividing the speaker’s desk…

    And of course, the multi-tiered seating complete with gold numbers:

    It’s not that you can’t find alternatives. They exist! But this is the gold standard, and once a director has seen this one, it’s extremely rare they’re going to consider anything else.

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  • SCOUTING
    FIELD NOTES

    Filming at LAX

    08/12/2026

    Me chatting with LAX about airport filming:

    Me: So can we film at X location?

    Rep: No, absolutely not.

    Me: How about at Y? Or Z?

    Rep: Certainly not.

    Me: OK. How about if you just let me know where filming is allowed?

    Rep: That’s not how it works. You tell me where you want to film. I let you know if it’s possible.

    Me: But isn’t that a bit round-about? Like, I can keep guessing at ideas, but wouldn’t it be easier to just tell me where you’ve allowed productions in the past so we can follow in their footsteps?

    Rep: As I said, that’s not how it works. You say what you want. I let you know if it’s possible.

    Me: OK. How about (guessing) A/B/C/D/E/F/G?

    Rep: No/no/no/no/no/no.

    Me: So, ah, this part on your site where it says LAX is film friendly…is maybe not entirely accurate?

    Rep: Excuse me, but have you not heard of a little movie filmed here called Speed?

    Me: YES! Excellent! I love Speed! Like when the bus blows up on the tarmac! Can we do something similar to what Speed did?

    Rep: Absolutely not.

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  • SCOUTING
    FIELD NOTES

    Love and Abandoned Missile Silos

    08/05/2026

    Just a guy and a girl hitting it off at sunset, high above LA on a decommissioned Nike missile tower, with no one else around for miles…

    (Except an annoying movie location scout who was sent to take magic hour pictures and is totally killing the mood. Sorry guys…)

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  • SCOUTING
    FIELD NOTES

    House by the Cemetery

    08/03/2026

    Once back in my NYC scouting days, I was working on a TV show that was planning to shoot at a cemetery in Brooklyn. As we were scouting it with the director, an apartment scene was abruptly added to the day’s work, and I was given an hour to find a cleared option for them to see.

    Across the street from the cemetery was a row of single story houses that looked small enough to cheat as an apartment, so I ran over and started knocking on doors. No answer on the first few. A few no’s. Then, on the fifth or sixth try, a woman opened the door.

    I think she was in her early sixties. Her face was weathered but youthful. I remember she had long, silvery-gray hair pulled back into a pony tail, and a kind smile, and eyes that listened carefully as I raced through my pitch. She said she was interested, and I noticed she had a Russian accent and spoke in a quiet, refined voice.

    I hurried to take the pictures of her living room, then thanked her profusely and explained that I’d likely be back with the team within the hour.

    I found the director and group waiting at a coffee shop. Showed the pictures. Everyone loved it, and I remember being thrilled that this nice woman was going to get an unexpected payday for her little house by the cemetery.

    We went back to the house and she invited us in. The group of seven – director, AD, production designer, a few others, all men – trucked inside and began to look around.

    Then, all of a sudden, I noticed: something was in the air. Like everyone was sharing a joke I wasn’t in on.

    The scout wrapped up very quickly, which is never a good sign when they’re considering your place for filming. Everyone headed out with polite goodbyes. I thanked the woman again and let her know we’d be in touch, then hurried after the group.

    I found everyone walking back to the cemetery, laughing. I asked what was wrong. “Dude, did you not see the stripper pole?” the AD asked. “She’s a fucking prostitute, man. How pathetic is that?”

    Apparently, in my rush to photograph the location, I’d missed the fact that there was a stripper pole in one corner, and some other items lying about that made it clear what her day job was.

    “What a sad fucking situation,” someone else said. “Can you imagine? Being an old hooker working next to the cemetery?”

    “And think about the kind of guys who’d want to bang someone her age,” someone else added. “Fucking depressing.” For the entire walk back to the van, everyone just kept making fun of her. To this day, I hate them for it.

    As a location scout, your job is to set foot in an infinite variety of worlds. One day might be Malibu mansions, the next, Skid Row hovels, then on to Everywhere USA suburban homes or trailer parks. And in 20+ years of scouting, two things stand out to me.

    The first is that whatever you imagine a situation you haven’t experienced to be, you. are. always. wrong. You might get some of the notes sort of close to the mark, but humans are simply far, far too varied, nuanced, and complex to ever reduce to one-note caricatures.

    The second is that there is nothing more vulnerable than inviting a total stranger into your home not only to witness the life you’ve built for yourself, but to cast judgement over it. I’ve seen people hire cleaning crews to scrub their houses from top to bottom before I arrive. Others will literally try to talk me out of considering their place for filming as I’m taking pictures, ashamed and apologetic: “You don’t want to film here. It’s such a dump.”

    Which is why I will always consider it the highest privilege to be welcomed into a home as a guest, no matter how expensive it is, how nice the decor, how prestigious the zip code. In fact, I’m not there to judge; my job is to capture it as it is without judgement.

    For the woman in the house by the cemetery, all I know is that she was willing to let me into her home and share a glimpse of her life. If anyone should be ashamed, it’s those who accepted her invitation and acted like tourists instead of guests.

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  • SCOUTING
    FIELD NOTES

    Staging A Murder

    07/31/2026

    One thing I love about scouting on crime shows is when they’ll ask the locations department for fresh ideas on where to stage a murder. I’ve always thought the maze of tires you find at mom-and-pop auto repair shops could make a pretty solid option…

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  • SCOUTING
    FIELD NOTES

    Iconic LA Filming Location #542: Hillcrest Road @ Carmelita

    07/30/2026

    Single-handedly responsible for making movie-goers around the world think this is what all LA streets must look like.

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  • SCOUTING
    FIELD NOTES

    The Mysterious POV

    07/29/2026

    Here’s another example of how hard it is to shut off the location scout part of my brain when watching old movies.

    I’m watching Pickup on South Street, the 1950s noir I mentioned yesterday. Set in NYC, it was actually filmed in LA, as seen in this shot staged on Grand…

    Like most films of the era, the vast majority of it was shot on the backlot – in this case, Fox, featuring its city streets and subway set.

    Then, once in a while, they film on location cheating LA for NYC, like this newsstand scene shot at the PacMutual building. Pinpointing the on-location addresses, they’re all on the same city block, suggesting the movie was given exactly one day off the lot to give the movie some scope.

    And then, an absolute oddball hits: two police detectives look out their office window…and we cut to their POV of the street below…

    And as I’m staring at the shot, something strange hits me – I know this location… But it’s not in LA… It’s in New York City. So why was this exceptionally random shot of a car pulling up filmed in NYC, when 98% of the movie was filmed in Los Angeles??

    Then I realize something else: it’s actually not random at all. This is the north entrance of what was once the official headquarters for the NY Police Department at the corner of Centre and Broome. So maybe they were going for accuracy…

    Except, if the detectives are supposed to be in police headquarters, why is their POV looking AT it, rather than out from it? It must have been shot from this building across the street… And then I see something…

    Written near the roofline is “The Annex” – which refers to the fact that this used to be the Police Annex building, and housed such departments as the Bureau of Criminal Investigation. Meaning: it is the absolute height of real-world accuracy that this view is the detective’s POV!

    But why bother?!? Literally no one watching the movie will EVER recognize this absurdly obscure location. And how the hell did they EVER justify the expense of a camera crew to get this shot, when it could’ve been cheated in LA without any effort whatsoever??

    I have a theory. There are roughly four other actual NYC shots in the film: the NY Public Library, a street in Williamsburg, and some rear projection footage for the main character’s riverside shanty and a subway scene.

    Writer/director Samuel Fuller had once been a crime reporter, and, when writing the script, worked closely with an active NYPD detective named Dan Campion for the purposes of realism.

    So here’s my guess: the production approved a single day of second unit photography in NYC to grab pick-up shots. The library, the river, the subway, the Brooklyn street…

    And then Campion offers: hey, if you need a POV shot out a Police Department window, why not come by and shoot the real deal?

    Wish I knew for sure. But whatever the reason, TOP marks to Fuller for bothering to include this ridiculously obscure few seconds of true NYC realism!

    Just another example of what it’s like to watch movies when you’re location scout… 🙂

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  • SCOUTING
    FIELD NOTES

    New York Noir IN LA: The Filming Locations of Pickup on South Street

    07/28/2026

    Whenever I watch an old movie that was shot on location, it’s really hard to stop the location scout side of my brain from constantly trying to figure out how people did my job 70+ years ago. Here’s an example from a 1953 noir called Pickup on South Street….

    And here’s what goes on in my head as I see it:

    In 2026, darting through traffic is a serious enough stunt that you want everything to be buttoned up. That’s your lead actress putting herself in harm’s way, and the entire production depends on providing everyone with a safe and controlled filming environment.

    It’s fun to look closely and see things I recognize, like this police officer, just barely visible, holding back traffic. Also, I believe that’s his police car blocking people from exiting the parking lot, which is a smart way to do it!

    Then you have the pedestrians in the background. These days, you don’t leave anything to chance, for both safety and legal reasons, so everyone in frame should be part of the production. But in older movies, you often see this funny mix of background actors walking around crowds who are clearly gawking at the shoot. You usually won’t notice it unless you look for it, but once you do, you’ll start to see it in countless old movies filmed on location.

    But what about everything we consider standard in 2026? From permits and craft service, to equipment truck and basecamp parking, generators and insurance… I’m sure much was far, far more lax in 1953, but what was actually a strict requirement that we don’t even think about anymore?

    We see the woman in the white dress walk into the PacMutual building…

    And then, a shot of the gorgeous lobby, built in 1908 and still used for filming all these decades later (one notable perk: front-facing elevator banks, a rarity).

    If there’s any argument for shooting on location, simply watch old movies, where 90% are typically shot on stage builds – and then, a real world shot sneaks in, and suddenly everything comes alive.

    But what were location fees like back in 1953? Were film shoots restricted to weekend-only shoots so as to not upset tenants? Was the phone booth she uses real, or a prop trucked into the lobby?

    Later in the film, we see a man walk down the street…and eagle-eyed viewers will notice that’s the same arched-window building in the cornder from the earlier street-crossing shot…

    He turns into a lobby with a magazine stand – and in fact, we’ve been here before…

    This is the side entrance to the PacMutual lobby! And suddenly, the logistics/cost-saving scout in me sees a location manager who knew the value of a property offering two distinct locations in one.

    But what I appreciate most is that I first watched Pickup on South Street to check out the handful of scenes shot in New York, a rarity at the time. You get a brief glimpse of the Williamsburg Bridge…

    A rear projection of the Brooklyn Bridge at the back of the main character’s dockside shanty…

    A quick shot of the Public Library…

    After most unexpectedly, when the police officers look out the window of their fake office, the view is ACTUALLY what would’ve been seen from the old Police Annex in NYC at the corner of Broome & Centre Street:

    Last but not least, when they ride the fake subway, we get a rear projection taken from the L train:

    Which is why, when this shot of LA posing as New York showed up, I didn’t blink an eye on first viewing, and spent about an hour trying to figure out what midtown block it was shot on before I realized I’d been fooled…

    Which is the highest praise you can give to a location scout. No credit is given on the film, so to whoever that was, proud to follow in your footsteps all these decades later.

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